
Why does the ground look the way it does? How do you push such energy onto canvas? ~ Susan M. Rose At age four, Susan M. Rose knew she wanted
The side roads offer surprising painting subjects, the farmers a wave and a smile, the cattle a curious gaze, the mountains waves of blue, the hay rolls a study in
I wanted to be as near wild as I could. The goal is not to represent a photograph. I’m trying to get a little emotion in there. ~ Kathy
As witness to seemingly endless change and challenges to Grand Teton National Park and the Greater Yellowstone Ecosystem, I cling to a core of meaningful experiences imbuing my and
I’m on a break! If Bert Raynes can do it, so can I. Here’s an oldie but a goodie: Clyde Thornhill, aka Mike Bressler, on the artistic side of Hog
Individuals will make their own life choices, while being valued, respected and contributing members of their community. Natural supports will enrich their lives on a daily basis where they live,
One thing these artists do share: their individual painting styles are instantly recognizable. You can’t fake Ringholz, Schenck or Cawdrey. Have you had a chance to de-brief yourself about
MONDAY, SEPTEMBER 11 • The Hootenanny at the Center for the Arts – Bound to be an emotional evening as the Hoot group performs for its second session following the loss